It really does matter who gets joins the conga line dance at Stinky Gizi's wedding . . . who ends up behind whom – especially from Nándi’s perspective. Nándi’s parents, Attila and Éva, meet at this event, after they happen to be following each other in the line. It soon becomes clear that the main character of their shared life is not their child, but the roller blind. At least for Éva, that’s the case, who, by the way, has her mother (Márti) present all the time . . . even when she’s not physically present. Márti is no fan of roller blinds, quite the opposite. But how can a roller blind be so important? What can a roller blind do? Well, a lot of things. When you lower it, it hides things; when you raise it, it shows what’s outside . . . or inside. (At least when it works.)
PERFORMANCE:
Orlai Productions, 2022, directed by Károly Ujj Mészáros
Szentendre Theater, Reading Theater, 2021, directed by Dorka Porogi
